St. Stefan Dečanski of Serbia

Image by Petar Milošević | Source

Once again St. Stefan Dečanski picks up his model turret and tries to attach it to his model monastery, even though the plastic tab that is meant to keep it in place is clearly broken. In a moment of irritation for which he will later do penance he gives it a rattle, scattering monks and their abbot turret across the floor, and uses glue to secure the turret clumsily in place.

It looks like a toy. The smell of solvent fills his poorly-ventilated room. He wonders how soon his mother will notice.


News and Opinion

A Portrait of the Artist as a Middle‑Aged Man

The day was dull, rather misty, and wet under foot, but neither too warm nor too cold for walking. I began to think (without being especially aware that I was thinking) about the place of blood in Christian iconography, about the chapel in which I was raised, which seemed mildly obsessed with it...

Read post

Featured Posts


Books by Rob Mimpriss

Cover of Dangerous Asylums

Dangerous Asylums

‘In this exemplary collaboration between medical science and imagination, lives preserved in official records, in the language and diagnoses of their times, are restored not just to light, but to humanity and equality. This anthology is a resurrection.’

Philip Gross