News from Rob Mimpriss

Cover of For His Warriors: Thirty Stories

Cover of Prayer at the End: Twenty-Three Stories

Cover of Going South: The Stories of Richard Hughes Williams

Cover of Hallowe’en in the Cwm: The Stories of Owen Wynne Jones

Cover of A Book of Three Birds by Morgan Llwyd

10th October 2016

All news

Featured Posts

View of the bars and restaurants along the Mermaid Quay, Cardiff Bay. Image (cc) Tila Monto

Featured Fiction Hamilton Park The Conquest of Angles A and B by the Superior People of Angle C Mars, Bonfire, Mountain Ash In the Camps

Lone tree in the early morning mist in black and white. Photograph by Karen Arnold

Featured Opinion A Portrait of the Artist as a Middle-Aged Man Mere Barbarity: Christian Theocracy, the American Far Right, and the Teachings of Donald Wilson Visions and Revisions: Wales, Empire, and the Fate of Henry Morton Stanley’s Statue Decency’s Limits: Abuse and Blocking on a Conservative MP’s Facebook Wall Saucepans: An International Incident

Black and white photograph of Dylan Thomas gazing at the camera

Welsh Portraits, and Others Dylan Thomas R. S. Thomas D. J. Williams Kate Roberts St Stefan Dečanski of Serbia

Books by Rob Mimpriss

Pugnacious Little Trolls

‘freely and fiercely inventive short stories… supercharged with ideas.’

Jon Gower, Nation Cymru

Prayer at the End: Twenty-Three Stories

‘heaving with loss, regret and familial bonds.’

Annexe Magazine

For His Warriors: Thirty Stories

‘sketched with a depth and sureness of touch which makes them memorable and haunting.’

Caroline Clark, gwales.com

Reasoning: Twenty Stories

‘dark, complex, pensively eloquent’

Sophie Baggott, New Welsh Review

Cover of The Sleeping Bard by Ellis Wynne

The Sleeping Bard: Three Nightmare Visions of the World, of Death, and of Hell

Translated by T. Gwynn Jones, with an introduction by Rob Mimpriss.

A Book of Three Birds

‘Lucid, skilful, and above all, of enormous timely significance.’

Jim Perrin

‘In this exemplary collaboration between medical science and imagination, lives preserved in official records, in the language and diagnoses of their times, are restored not just to light, but to humanity and equality. This anthology is a resurrection.’

Philip Gross